NearEnoughWorks

Monumental Format Human Scale

A lone pedestrian crosses an open courtyard beneath massive concrete terraces, towers and exposed stairways.
Mass, shadow and human scale.

Monumental spaces alter our sense of proportion. Mass, shadow and distance make the human figure appear smaller but often more present.

This page follows that relation across architecture, image and object: large forms translated into something closer to the hand.

Influences and echoes

Large ideas.
Everyday things.

Monumentality does not remain monumental when translated.

A building can become a silhouette. A façade can become rhythm. Deep shadow can become graphic contrast. Human scale can survive even when the architecture itself disappears.

Translation changes the form without necessarily losing the relation.

Cantilevered concrete terraces of the National Theatre seen through bare branches.
National Theatre, London · Photograph: Justinc / Wikimedia Commons · CC BY-SA 2.0
A flying heron beneath a full moon, held within the wider field of the Near Enough Works composition.

Another direction · Image and transformation

Heron at Full Moon

An image can survive by changing how it travels. Follow the passage from Ohara Koson’s originating print to a contemporary composition.

A print made to travel →

Places Built for a Public Future

Rebuilding, art and everyday journeys: public ideas taking physical form in post-war Britain.

Explore the places and their connections →